G/A Tickets ($48-$175) Available through Carnegie Hall
Michael Cameron Anderson (born July 17, 1988),known professionally as Anderson East, is an American R&B musician from Athens, Alabama, who currently is based in Nashville, Tennessee. His song "Satisfy Me" was released in March 2015 and received consistent radio airplay. His major-label record debut, Delilah, was released on the Low Country Sound, an imprint Elektra in July 2015.
Bettye LaVette is no mere singer. She is an interpreter of the highest order. Whether the song originated as country, rock, pop, or blues, when she gets through with it, it is pure R&B. She gets inside a song and shapes and twists it to convey all of the emotion that can be wrought from the lyric. Her discography spans five decades, but it is within the past decade that she has finally been recognized as one of America’s finest vocal talents.
Brian Fallon (born January 28, 1980) is an American singer-songwriter and musician. He is best known as the lead vocalist, rhythm guitarist, and main lyricist of the rock band The Gaslight Anthem, with whom he has recorded five studio albums. He is also a member of the duo The Horrible Crowes, alongside The Gaslight Anthem's guitar technician and touring guitarist Ian Perkins.
After winning a Grammy for his soulful ballad “Walking in Memphis,” Marc Cohn solidified his place as one of this generation’s most compelling singer-songwriters, combining the precision of a brilliant tunesmith with the passion of a great soul man. Rooted in the rich ground of American rhythm and blues, soul and gospel and possessed of a deft storyteller’s pen, he weaves vivid, detailed, often drawn-from-life tales that evoke some of our most universal human feelings: love, hope, faith, joy, heartbreak. Cohn followed up his platinum-selling debut with two more releases in the 1990s, at which point Time magazine called him "one of the honest, emotional voices we need in this decade" and Bonnie Raitt declared, "Marc is one of the most soulful, talented artists I know. I love his songs, he's an incredible singer, and I marvel at his ability to mesmerize every audience he plays for." Raitt, James Taylor, David Crosby, Graham Nash and Patty Griffin all made guest appearances on Cohn’s early records for Atlantic as his reputation as an artist and performer continued to grow. In 1998, Cohn took a decade-long sabbatical from recording, ending in 2007 with Join the Parade. Inspired by the horrific events following Hurricane Katrina and his own near fatal shooting just weeks before, Parade is his most moving and critically acclaimed record to date.
Glen Hansard is an Irish songwriter, actor, vocalist and guitarist for Irish group The Frames, and one half of folk rock duo The Swell Season. He is also known for his acting, having appeared in the BAFTA-winning film The Commitments, as well as starring in the film Once, which earned him a number of major awards, including an Academy Award for Best Song.
Josh Ritter is an American singer, songwriter, musician, and author who performs and records with The Royal City Band. Ritter is known for his distinctive Americana style and narrative lyrics. In 2006 he was named one of the "100 Greatest Living Songwriters" by Paste magazine.
There are two ways of handling a dangerous, raging river: you can surrender and let it carry you away, or you can swim against the flow. For The Secret Sisters, there was a point after the release of their last record when they could have chosen to do neither – instead, sinking to the bottom as the weight of the world washed away their dreams. They went from touring with Bob Dylan to losing their label, purging their team, filing bankruptcy and almost permanently trading harmonies for housecleaning. But there's a mythical pull to music that kept sisters Laura and Lydia Rogers moving forward, and they came out with a biting and beautiful third LP, produced by Brandi Carlile, You Don't Own Me Anymore. It's a document of hardship and redemption, of pushing forward when it would be so much easier to drown in grief. And it's a story about how passion and pure artistry can be the strongest sort of salvation – how art is left, like perfect grains of sand, when everything else has washed away."
“…extraordinary songs, mesmerising guitar playing, and a voice that goes effortlessly from bruise-tender to scar-hard in a matter of minutes…her lyrics are crafted and clever, full of subtlety and polished phrases…With delicious sarcasm and acerbic stories, she held the audience spellbound…her songs are so personal to her that they speak to everyone who listens.” -The Guardian In an era when female singer-songwriters are ever more ubiquitous, Shawn Colvin stands out as a singular and enduring talent. Her songs are slow-release works of craft and catharsis that become treasured, lifetime companions for their listeners. As a storyteller, Colvin is both keen and warm-hearted, leavening even the toughest tales with tenderness, empathy, and a searing sense of humor. In the 27 years since the release of her debut album, Colvin has won three Grammy Awards, released eleven albums, written a critically acclaimed memoir, maintained a non-stop national and international touring schedule, appeared on countless television and radio programs, had her songs featured in major motion pictures, and created a remarkable canon of work.
Elmer "Lee" Fields is an American soul singer, sometimes nicknamed "Little JB" for his physical and vocal resemblance with James Brown. He has worked with Kool and the Gang, Hip Huggers, O.V. Wright, Darrell Banks, and Little Royal. Fields has also worked with such legends such as B.B. King, Clarence Carter, Dr. John, Tyrone Davis, Johnny Taylor, Denise LaSalle, Bobby Blue Bland, Betty Wright, The Manhattans, Little Milton and Bobby Womack. He recorded his first single in 1969 and is still active. His recent work is with The Expressions, including the albums Faithful Man (2012) and Special Night (2017). In 2014, he provided additional vocals for the James Brown biographical movie, Get On Up.
As a performer, songwriter and producer, Richard Marx’s nearly three-decade-long career has had innumerable of highlights. The Chicago native has sold more than 30 million albums worldwide, starting with his self-titled debut which went to #8 and spawned four Top 5 singles, including the chart-topping “Hold on to the Nights,” with “Don’t Mean Nothing” earning him a Grammy nomination for Best Male Rock Vocal Performance. The follow-up, 1989’s Repeat Offender, was even more successful, hitting #1 and going quadruple-platinum with two #1 singles in “Satisfied” and “Right Here Waiting.” When both Rush Street (with two #1 AC hits in “Keep Coming Back” and “Hazard”) and Paid Vacation (with its #1 AC hit, “Now and Forever”) went platinum, Marx achieved a seven-year string of triumphs that rivaled any in pop-rock music history. To this day, he is the only male artist in history to have his first seven singles reach the Top 5 on the Billboard charts.
Launched in Summer 2017, the Resistance Revival Chorus (RRC) is a collective of more than 60 women who join together to breathe joy and song into the resistance, and to uplift and center women’s voices. The women range from Broadway performers, touring musicians, film and television actresses, solo recording artists, gospel singers, political activists and are led by Broadway singer and educator AbenaKoomson-Davis. Representing a multitude of identities, professions, creative backgrounds, and activist causes, the RRC prides itself on its diversity. The great artist and activist Harry Belafonte once said, “when the movement is strong, the music is strong.” In that spirit, the RRC hosts a series of regular musical events, Resistance Revival Nights, where the community gathers to rejuvenate our spirits and honor the protest songs that have historically been central to civil rights movements. We believe that art and culture are essential to changing hearts, minds, and history; and we commit to the principle that joy is in itself an act of resistance.
Hailed as "gospel titans" by Rolling Stone, the Blind Boys first rose to fame in the segregated south with their thrilling vocal harmonies and roof-raising live show. They released their debut single, "I Can See Everybody’s Mother But Mine," on the iconic Veejay label in 1948, launching a 70-year recording career that would see them rack up five GRAMMY Awards (plus one for Lifetime Achievement), enter the Gospel Music Hall of Fame, collaborate with everyone from Mavis Staples and Stevie Wonder to Prince and Lou Reed, and perform on the world's most prestigious stages. It would be difficult to overstate the Blind Boys' influence on their contemporaries and the generations that came after. The New York Times said that they "came to epitomize what is known as jubilee singing, a livelier breed of gospel music," adding that "they made it zestier still by adding jazz and blues idioms and turning up the volume, creating a sound…like the rock 'n' roll that grew out of it." TIME Magazine raved that "they're always hunting for - and finding - the perfect note or harmony that lifts an old tune into the sublime," while The Washington Post praised their "soul-stirring harmonies" and "range of cross-genre collaborations," and The New Yorker simply called them "legendary." "When the Blind Boys started out, we weren't even thinking about all these accolades and all that stuff," founding member Jimmy Carter told NPR. "We just wanted to get out and sing gospel and tell the world about gospel music." Mission accomplished! http://www.blindboys.com/home/
Singer, songwriter, and entertainer Robert Earl Keen has recorded 19 albums and performed thousands of shows, first as a folk singer and now as a country star. He is an avid reader who majored in English at Texas A&M University. His first album was No Kinda Dancer (1984) and most recent is Live Dinner Reunion (2016). His work ranges from country to bluegrass to rock. His songs have been recorded by artists including: George Strait, Lyle Lovett, Nanci Griffith, Joe Ely, Montgomery Gentry, Dixie Chicks, The Highwaymen, Gillian Welch, Todd Snider and Shawn Colvin. In 2012, he was inducted into the Texas Heritage Songwriters Hall of Fame along with his college friend, Lyle Lovett and the late Townes Van Zandt. In March 2015, BMI honored him as the first recipient of the Troubadour Award. The Texas Cowboy Hall of Fame inducted Robert in 2019. Keen is currently on tour performing shows this year with George Strait, and Lyle Lovett, and will embark on his annual Christmas tour in December. Keen’s signature song is “The Road Goes On Forever.”
William Elliott Whitmore has been back and forth across the United States and to cities around the world. He's toured with such diverse acts as Frank Turner, Trampled By Turtles, Clutch and Chris Cornell to name a few. He's appeared on some of the biggest stages around the world including Stagecoach Fest, Byron Bluesfest (Australia) and End of the Road Fest (UK). His willingness to take his show to any playing field has proved invaluable as he turned strangers to diehards with every performance.
David Johansen was born in New York City where he sang in rock & roll dance bands during his high school years. Upon graduation he moved to the East Village where he performed with Charles Ludlum’s Ridiculous Theater and joined up with the fledgling New York Dolls. The Dolls made two iconic records before disbanding in the mid-seventies. At this time, he embarked on a solo career with his David Johansen Group, recording six highly acclaimed albums and touring incessantly for the next ten years. During this period, Johansen started singing jump blues, calypso, and pre-Hayes code rock & roll under the name Buster Poindexter in a small saloon in his Gramercy Park neighborhood with his band, sometimes called the Spanish Rocketship. They recorded four swinging CDs. He acted in a few movies, mostly with actor friends of his who had come to see the show. At the end of the century he started a band called David Johansen and the Harry Smiths, recording two superb albums of early American blues and mountain music. In 2004 the remaining New York Dolls reunited for a one-off gig in London and toured and recorded for the next eight years. Since then he’s been performing both as David Johansen and Buster Poindexter doing a variety of shows, singing whatever he likes, in the classiest boîtes in town. He lives in New York City.
With The Hurting Kind, John Paul White has crafted a stunning album that draws on the lush, orchestrated music made in Nashville in the early 1960s. Yet these songs retain a modern feel, whether he's writing about overwhelming love, unraveling relationships, or the fading memory of a loved one.White grew up in tiny Loretto, Tennessee, and now lives in Florence, Alabama, not far from Muscle Shoals. He has cultivated his career in Nashville for two decades, first as asongwriter for a major publisher, then as half of The Civil Wars – a groundbreaking duo that won four Grammy Awards before disbanding in 2012.Because The Civil Wars were so hard to categorize, White has earned a fan base among indie rock listeners, folk audiences, Americana outlets, and AAA radio. So, what will happen if people hear The Hurting Kind and call it country? “Well, that doesn’t scareme in the least,” he says. “As a matter of fact, it kind of thrills me.”
Following a banner year that saw the release of their critically-acclaimed 5th studio album Dirty Pictures (Part 2), their network television debut onLate Night with Seth Meyers, and a shoutout from Sir Elton John, Low Cut Conniehave announced their first tour dates of 2019. The band will make stops in Los Angeles, Seattle, San Francisco and more. Find a full list of tour dates below and on the band's website. Additionally, piano-pounding frontman Adam Weiner has also announced his first-ever ticketed solo shows at Hotel Cafe in Los Angeles, CA on January 24 and February 7 & 8 at Gloria Dei Old Swedes Church in Philadelphia, PA, where Low Cut Connie played their first show in 2011. "I'm always trying to get closer to the crowd," said Weiner about the upcoming solo shows. "I really wanna get eyeball-to-eyeball with everyone and make something very real happen. I want people to reach out and touch the piano." This month, Low Cut Connie were featured in print edition Rolling Stone's The Year In Music issue chronicling their recent 2018 tour. "I live for the shows, I live to be on stage, and we really put a lot into every performance," Weiner told Rolling Stone. "People really go wild and they come for the crazy party of our shows, but a lot of people are feeling very emotional and very free by the end of the show whether they expect it or not." Rolling Stone also named the band's single "Beverly" one of the 50 Best Songs of 2018, calling it "the catchiest chorus of a career that’s produced more than a few and a song that could’ve been on the radio in the era it honors."
Understanding the order of time is important to anyone hoping to manifest a dream", says Valerie June Since the release of her 2013 breakout Pushin #39; Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time.
A Wizard, A True Star. The title of Todd Rundgren's 1973 solo album aptly sums up the contributions of this multi-faceted artist to state-of-the-art music. As a songwriter, video pioneer, producer, recording artist, computer software developer, conceptualist, and, most recently, interactive artist (re-designated TR-i), Rundgren has made a lasting impact on both the form and content of popular music. Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front The Nazz, the quintessential `60's cult group. In 1969, he left the band to pursue a solo career, recording his debut offering, the legendary Runt. But it was 1972's seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him 'Rock's New Wunderkind'. It was followed by such landmark LPs as The Hermit of Mink Hollow and the above mentioned A Wizard, A True Star, as well as such hit singles as I Saw The Light, Hello It's Me, Can We Still Be Friends, and Bang The Drum.
The GRAMMY Foundation was established in 1989 to cultivate the understanding, appreciation and advancement of the contribution of recorded music to American culture &emdash; from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals.
FIKS is there to fix broken and discarded instruments and get them to be used by the students in poor schools in the Bronx, Brooklyn and Queens. The schools are identified by music teachers in the actual schools with the funds going directly to technicians who fix the instruments.
Church Street School for Music & Art is the only not-for-profit school for the arts in Lower Manhattan serving as a community center supporting a diverse audience with affordable arts programming. The process oriented approach facilitates music education through skill building and development of technique in performance.
An innovative training orchestra at Bard College which does outreach and concerts to middle school and high-schools in the NY metro area. In addition, TON supports a number of scholorships to bring in aspiring teachers to integrate into their broader curriculums.
CAE is dedicated to ensuring that all NYC public school students have quality arts learning as an essential part of their K-12 education and is the only organization in New York supporting all arts disciplines with in-school residencies, professional development, and active public engagement and advocacy efforts.
Little Kids Rock transforms lives by restoring, expanding, and innovating music education in our schools. The organizations network of thousands of K-12 teachers across 45 states lead a national movement that brings innovative and inclusive music education to students. Using rock, pop, Latin, and rap, Little Kids Rock programs empower teachers to build music programs as diverse as the kids they serve. Students see themselves reflected in their classes, which strengthens their connection to their school, their peers, and their community. Little Kids Rock also donates necessary instruments, and curriculum, meeting a key need of many school music programs. The world of music expands through innovation: Little Kids Rock ensures that music education does as well. Every dollar donated to Little Kids Rock helps support bringing more music to more kids. $100 places an instrument into a classroom, and $5,000 will launch a school music program that will serve hundreds of students for many years. Little Kids Rock aims reach 1,000,000 kids served in its history this year.
The D’Addario Foundation is a unique non-profit grant-making organization providing monetary and product support to high-quality sustainable music instruction programs on the frontline to improve access to music education. We support programs that bring music back into communities and schools and get kids playing as early and as frequently as possible. The D'Addario Foundation believes in the transformative power of music and that mentoring and building communities through music can positively affect social change. .
Sonic Arts for All! (SAFA!) is a new non-profit organization that promotes the hands-on, creative use of music technology in both academic, after-school, community center, and other non-traditional settings. We work primarily with elementary, middle, and high school students in NYC, but others are welcome too. SAFA! is the first of its kind: a mobile educational recording studio and music technology workspace. By outfitting a mobile van with state of the art equipment and teaching artists able to facilitate after school classes and workshops in all five boroughs, our goal is to reach all of New York City’s kids and other creative artists, regardless of neighborhood or economic background.
Day by day, for 25 years, Midori and Friends inspires passion in their students, sparks their imagination, and empowers them through life-changing musical experiences. From the classroom to the stage, the young students develop into confident individuals who realize that no dream is beyond their reach. Midori has reached over 250,000 young people since starting in 1992.
Celebrating our 15th anniversary in 2017, JAZZ HOUSE KiDS provides the framework inside which students from diverse backgrounds can play, sing and appreciate America's original musical art form. Through music, mentoring, education and apprenticeship we cultivate tomorrow’s community leaders and global citizens so they may build vibrant communities where they live.
VH1 Save The Music Foundation is a 501(c)(3) nonprofit that helps kids, schools, and communities realize their full potential through the power of making music. Founded in 1997, Save The Music partners with school districts and raises funds to restore music programs in public schools. Since inception, we have donated over $56 million worth of new musical instruments to over 2,100 schools in 261 school districts around the country– impacting the lives of millions of students. Learn more about us and our efforts at